Cool. Awesome. White. Hot. Truth.

I’ve been reading for an hour. I’d make some comment about lost productivity, but learning and growing are sometimes more productive than actual work. I have a website to lay out, a contract to write, another series of patterns to publish, a PDF form to structure, but amidst all that, I’m captivated by this blog. I was lead to Sarah Bray’s blog thru a post on Sparky Firepants’ blog. I am officially now a Sparky Firepants blog-reading junkie. He’s got the best links.

I typically have a very, very low tolerance for, and even less interest in, blogs that discuss social bookmarking, SEO, marketing, branding, etc. I outsource this stuff for a reason! Bore. Ring. But Sarah Bray is making me listen, er, read. And I like what she’s saying. She makes sense and she makes me want to read more. Just like the Blue Scarf from France rocked my face off for a few days despite being apparel, S.Joy Studio’s site is captivating, despite being about all the topics I typically ignore. I would gladly have lunch with her sometime.

Along the same lines, I should make a plug for Danielle LaPorte’s White Hot Truth blog. She explores self-realization, as it applies to business, as it applies to life. Again, a topic I usually roll my eyes at and run from, however, Danielle’s writing makes me feel like I’m sitting with my friend, Liz, and we’re half a bottle of wine into our discussion. The honesty she presents (and inspires) isn’t gooey, isn’t forced, isn’t hyper. It’s just there. And I’m actually willing to read it.

Thanks, girls, for having blogs worth reading.

Blue & Red

I am really loving this shade of blue lately. It’s showing up in random places and complimenting colors I wouldn’t readily pair with it. Bright, but sultry, a cool blue that warms up a room? What would you call this?

This image is from Apartment Therapy’s Color Contest 2009, Kristen’s Castleberry Hill Loft entry.

Speaking of color, check out this ladybug I just found on my back porch. The red looks awesome against the slate gray of our crappy porch slats. :)

ladybug

Microsoft Office, Will You Please Go Now?

I’m beginning to question the way I set up projects. I’ve had three clients, one with 30+ graphics, recently request I put everything I’ve done into an MS Office program. This request usually comes after I’ve put a couple weeks (hours and hours) into the project, and have sent them proofs along the way. This baffles me. I’m not sure where to put it in my brain, because asking the client up front, “Do you want me to do this in Word?” seems both traitorous and unprofessional as a graphic artist. Yet it keeps happening. Has anyone else experienced this? Am I crazy? Is graphic art moving away from both graphics and art?

A thought is that it’s that ever-lurking Bad Economy. They hire an artist to design a page they intend to use long-term, but don’t want to pay to have it changed down the road. It makes sense from that angle. I guess I’d just like to know that up front, before I format an InDesign spread for print or a 30-slide Illustrator presentation. The process for creating a Word document or Power Point presentation is completely different than it is for laying out standard graphics, and I just have never thought to ask about that from the beginning.

Who’s Runnin’ This Joint?

I was summoned to the Blogiverse by @Sparkyfirepants and @revjabdub to discuss LLCs vs. S-Corps, and all the fun and games that entails for freelancers. I kind of went off, spewing massive amounts of detail and soliloquy (me? never!). It was suggested I post my comment as a blog entry here, as there really were some tasty nuggets in there. And then I can copy/paste and call it a blog entry! Yeah!

To get up to speed, read his post here.

Here is my reply (although you’ll see it on his blog as well):

Continue reading

Honest Questions, Honest Answers

A couple questions come to mind, this beautiful Friday morning. I am hoping for some honest answers from other designers, but would also welcome non-designers to lend their perspectives.

  1. You design something for a client, and after the project is finalized, you think of a better/new way to do it. Do you tell the client?
  2. You design something initially, and the client requests multiple rounds of revisions. At what point does your role change from Designer to Consultant? And do you inform the client?

My inclination on the first question is to say no. It would depend on the client and my relationship with them, but in my experience, this can depreciate my status as the Expert (in the client’s eyes). What I struggle with, as a designer, is feeling like it could always be better. Even when it’s at its best, it could be better. A tweak here, a tweak there. I lay in bed at night, redesigning things over and over in my mind. It’s just who I am, and the way I process. Ten years from now, I will still be mentally redesigning everything I’m working on. It’s not a lack of experience; it’s a creative process. But what if I have a sudden stroke of genius, late in the game (say, post-finalization or post-site launch or post-printing)? Should I tell them? Again, I think it depends. The balance is a better end-product versus your status as the Expert, which could affect potential repeat business.

The second question: I have no idea. If I present myself as a Designer, does that morph over time, or should I stick to my guns? Do I allow the client to dictate the specifics of a project, even if my own design sensibilities are in disagreement? Is there a formal switch from Designer to Consultant? Answering a question with questions: I am clearly tossed.

Would love some feedback.

Twitter

I recently joined the swarming army of Twitter users. I was very skeptical of this “Twitter”, as the kids were calling it, but soon found, through a cousin and more than several networking functions, that it is really quite useful, even for an ol’ poop like me.

OK, I’m not old, and I’m not a poop. My aversion was more to the fact that I keep up with Facebook, two blogs, GTalk, and email all day. Do I really need one more thing to divert my attention from work?

Oddly enough, Twitter has helped me hone in on work. How can a little box on my other monitor keep me focused? Glad you asked! Working from home, I can do anything I want: laundry, organizing, playing with the dog, filing that one last thing, eating that one last cookie, running that one last mile, wondering what’s on Oprah today, wondering what’s on the radio, etc. I have no coworkers, no boss, no one noticing whether I’m working or painting my nails. With Twitter, I get a steady stream of links to ideas, tools, articles, and general design fodder. My day is filled with looking at things that keep me “in the moment” and “in my chair” (both are difficult for me). I receive ideas about marketing, networking, software tips, industry changes, and all levels of input from other stay-at-home-ers. So instead of looking at the dial on the dryer, I’m reading an article that asks, “Do you have a Marketing plan?” And realizing that I really need to hop to it – from right here.

There are some annoyances. One person was going through something that seemed to require quite a lot of both emotion and personal information-sharing. I feel that content is better suited for Facebook. [Unfollowed.] Another was posting a minute-by-minute account of waiting for her child to come home from school…every day for a week. I feel that content is better suited for…oh get a hobby! [Unfollowed.] Others will come and go, but I feel like I have a good, solid group of people that are genuinely interested in business and do not post much about their personal life.

Oh sure, I might post something about needing a dog sitter, and I will get a few clever and helpful responses, but generally, I am following these people, and they me, for the work-related information we share throughout the day.

An excellent article I received via TweetDeck from @mayhemstudios, entitled “How to Get Retweeted.” If terms like TweetDeck, @, and Retweeted confuse you, go to Twitter, sign up for an account, and the heavens will open and angels will sing. Oh and follow me.

An Opinion: AllStars

Yesterday, I went to breakfast with Indie Arsenal and I have to say, it was one of the most beneficial meetings I’ve attended to date.

A question was asked and, being the “shy in a group, loud with a few” sort, I didn’t proffer my thoughts. But they were bubbling.

The question was (paraphrased), “Given the choice of hiring one person to do your design, website, and marketing, or hiring three or four separate people, which is better?” The answer given by Dave Carlson of Green Chair Marketing Group was good. He responded (again, paraphrased), “Depends on the maturity of the individuals.” A bit of chuckling followed, because that is very true.

I wanted to interject my thoughts: as a designer, I relish, crave, look for opportunities to collaborate. I learn something from everyone I meet – designers, webmasters, marketing professionals, photographers, painters. If someone called me and asked if I could be The/A Designer on a project that included other independent professionals, I would jump at the chance. Even if there’s some overlap in skill sets. I’ve done collaborations in the past and I just love it. If it’s the right mix of people, each person will sink into their respective role and the client will get the best of each person’s abilities.

Another thought I had came more in the form of a low growl, deep in my brain. It’s the frustration-slash-admiration I feel toward the AllStars. These are the designers who can do 3D, animation, illustration, publication design, print processes, build e-commerce websites, speak in coding languages, teach college-level programming classes, take killer photographs, write Top 40 songs, build skyscrapers out of toothpicks, jog 15 miles a day, knit their own nylons, and bake a perfect cake (and some are 10 years younger than me). I’ve known approximately three of these people in my life and I respect them deeply. They’re typically brilliant (duh) and great to watch (because I can’t possibly work with them and hope to keep up). But I know a LOT of people, and I’ll tell you: these AllStars are rare. Precious, but rare.

I have seen Faux AllStars, that is, those who present themselves as AllStars, but don’t have the skills or knowledge to back it up. All bark, no bite, as it were. Fortunately, this becomes evident relatively early.

Another AllStar type I have seen is the AllStar, Ltd.: a bona fide AllStar, but with limited spectrum. These people have all the knowledge, but can only apply it in one format. Look for portfolios with one “flavor” of design. I am not, by any means, disparaging these AllStars. Not at all. They do great work and produce solid results. If you’re wanting something unique, splashy, or very specific, they may struggle to mold their abilities into your specific project. These AllStars are very good at editing the back-end of previously implemented designs, and often give good technical advice, so shouldn’t be discounted as potential team members.

Here is my recommendation: If you have an AllStar in your midst, discuss, in detail, your expectations. If possible, and they are willing, ask for a rough draft of what they think you are expecting. Be kind: don’t ask for 15 hours of free sketching and then hire someone else (bad karma awaits). Be honest with them about their interpretation and determine if you can work together to achieve your intended end result.

If there are no AllStars (more than likely), ask an artist if they have collaborators. If not, ask if they’d be interested in working with a couple new team mates. Find said team mates, and schedule a pow-wow to test the group dynamic. If it’s golden, there you go! If there’s a dark spot, you can always change out seats, bearing in mind the time commitment already given by the soon-to-be-ousted collaborator. Kindness and communication are key. (And, a sidenote, if The Ousted flips out, that should tell you something right there.)

95% of people I have met are a pleasure to work with. As I said, I would jump at the opportunity to collaborate, and I’d imagine other freelancers feel similarly.